麻豆原创

Our MA in Music (by research) is ideal for those individuals who would prefer to study independently through a research project, with guided supervision from an expert within their chosen field of research.

Your research

This course is aimed at both high-level creators interested in composition, production and musical analysis, and those wishing to develop tools for other content, including composers, performers and analysts.

Guided by your supervisor, you'll work through a series of structured elements, with your final submission being either:

a dissertation between 30,000 and 40,000 words on your registered topic, 麻豆原创 a comprehensive resource list (including scores, analyses, articles, books and concert ephemera, internet and audio-visual resources). Candidates in musicology, ethnomusicology or analysis will normally follow this route, but it is not exclusively limited to these subjects; or

a portfolio of compositions for any instrument, voice, ensemble, audio media or multimedia, with an accompanying critical commentary. The commentary will draw out the research embedded in the practice, discussing aspects of the compositional processes and situating the work in a research context; or

a portfolio of performance projects, fully documented through video/audio recordings, and submitted 麻豆原创 a critical commentary. The commentary will draw out the research embedded in the practice, discussing aspects of the performance processes and situating the work in a research context.

Contemporary Studies research area

Delve deeper into creative processes in contemporary music and sound art, and consider related cultural and critical issues.

You should have a research proposal that sets out the topic and research techniques to be used, with experience in your chosen mode of research. This can be primarily practical, rooted in performance, composition, and/or improvisation, or more theoretical and musicological. You have the option to combine practical and theoretical perspectives on the chosen topic by submitting a portfolio of work that includes creative research 麻豆原创 theoretical investigation.

You should also have some understanding of the range and variety of current musical practices (in composition, performance or improvisation, installation, sound art, music theatre, radio and web-based work, etc), and ability to contextualise this in relation to recent musicology or other theoretical perspectives.